Writing Resources

Write Better, Right Now: Descriptive Writing in Dialogue

Writers can show a whole world, describe conflict, and trick the reader just by fine-tuning a character’s voice to make it sing. How someone chooses to express their emotions, surroundings, and the situations they get into can convey way more to the reader in a more engaging way than simply stating it.

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Write Better, Right Now: Dialogue as Exposition

Using character voice as exposition may seem like a simple technique, but more often than not, writers do this in a heavy-handed way. This leaves their dialogue stilted, dry, and an obvious story function that drains their prose. Blending story exposition and important story information allow you as the writer to keep your story engaging while feeding your reader what they need to know to stay grounded in your story and characters.

Write Better, Right Now: Developing Our Characters’ Voices

Once you’ve found your character’s voice, how do you deepen it to make it memorable and engaging? This is the second biggest hurdle a lot of writers face. They’ve found that cool voice and they’re like ‘Great! I’m done.’ But going the extra step to develop, deepen, and shape that voice around your story can create an even richer voice and engaging dialogue throughout your story.

Write Better, Right Now: Finding Our Characters’ Voices

While there are tons of ways of discovering your characters’ voices, the basic idea behind all of them comes down to one thing: figuring out how your characters speak in a variety of situations related to who they are, where they’re from, and who they are speaking to. Think about it. Do you talk the same to every one you speak to? What about characters in your favorite books? Do their voices stay static throughout the whole story?

What You Need to Know About Writing Scenes

I’m a reader before I’m a writer, so I crave better scenes in all the stories I come across. So, here are all my articles available on scenes in one place. In each article, I push past the basic advice of there are only a set number of scenes or they have to happen in a particular type of order. What I teach are the functioning parts of scenes and how you can use them to heighten your story.